20. The Tax Collector
The most notable thing about The Tax Collector is that Shia LaBeouf got his entire chest tattooed for real in order to get into character, which is the only impressive thing about the movie.
David Ayer returns to the street-level crime genre in which he made his name, and proves that he’s failed to further himself as a filmmaker in what amounts to a rehash of his previous work.
LaBeouf is as watchable and committed as always, but the rest of the movie feels as though it arrived a decade too late to the party in terms of both script and style.